SRJC Course Outlines

10/7/2024 4:32:35 PMMUSCP 32D Course Outline as of Fall 2013

Changed Course
CATALOG INFORMATION

Discipline and Nbr:  MUSCP 32DTitle:  JAZZ BAND 4  
Full Title:  Jazz Band 4
Last Reviewed:4/22/2024

UnitsCourse Hours per Week Nbr of WeeksCourse Hours Total
Maximum4.00Lecture Scheduled3.0017.5 max.Lecture Scheduled52.50
Minimum2.50Lab Scheduled2.0017.5 min.Lab Scheduled35.00
 Contact DHR1.00 Contact DHR17.50
 Contact Total6.00 Contact Total105.00
 
 Non-contact DHR0 Non-contact DHR Total0

 Total Out of Class Hours:  105.00Total Student Learning Hours: 210.00 

Title 5 Category:  AA Degree Applicable
Grading:  Grade Only
Repeatability:  39 - Total 2 Times
Also Listed As: 
Formerly:  MUS 32D

Catalog Description:
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The SRJC Jazz Bands are dedicated to the rehearsal and performance of classic and contemporary literature for large jazz ensemble. MUSCP 32D is designed for experienced musicians who are able to perform at the college level and is intended for the most advanced players. Students in this course will have more accountability within the ensemble, and may be called upon to assist in the troubleshooting of problems specific to their instrument and/or to lead sectional rehearsals. Emphasis is on the achievement of a professional-quality artistic standard. The bands perform at least two major public concerts per semester, which may include an off-campus festival performance.

Prerequisites/Corequisites:
Course Completion of MUSCP 32C


Recommended Preparation:

Limits on Enrollment:
By Audition

Schedule of Classes Information
Description: Untitled document
The SRJC Jazz Bands are dedicated to the rehearsal and performance of classic and contemporary literature for large jazz ensemble. MUSCP 32D is designed for experienced musicians who are able to perform at the college level and is intended for the most advanced players. Students in this course will have more accountability within the ensemble, and may be called upon to assist in the troubleshooting of problems specific to their instrument and/or to lead sectional rehearsals. Emphasis is on the achievement of a professional-quality artistic standard. The bands perform at least two major public concerts per semester, which may include an off-campus festival performance.
(Grade Only)

Prerequisites:Course Completion of MUSCP 32C
Recommended:
Limits on Enrollment:By Audition
Transfer Credit:CSU;UC.
Repeatability:39 - Total 2 Times

ARTICULATION, MAJOR, and CERTIFICATION INFORMATION

Associate Degree:Effective:Inactive:
 Area:
 
CSU GE:Transfer Area Effective:Inactive:
 
IGETC:Transfer Area Effective:Inactive:
 
CSU Transfer:TransferableEffective:Spring 2009Inactive:
 
UC Transfer:TransferableEffective:Spring 2009Inactive:
 
C-ID:
 CID Descriptor: MUS 180 Large Ensemble SRJC Equivalent Course(s): MUSP21A OR MUSP21B OR MUSP21C OR MUSP21D OR
MUSP23A OR MUSP23B OR MUSP23C OR MUSP23D OR
MUSP30A OR MUSP30B OR MUSP30C OR MUSP30D OR
MUSP32A OR MUSP32B OR MUSP32C OR MUSP32D OR
MUSP33A OR MUSP33B OR MUSP33C OR MUSP33D OR
MUSP42A OR MUSP42B OR MUSP42C OR MUSP42D

Certificate/Major Applicable: Major Applicable Course



COURSE CONTENT

Student Learning Outcomes:
At the conclusion of this course, the student should be able to:
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1.       Perform effectively in a large jazz ensemble.
2.       Execute a wide range of big band music accurately, with stylistically appropriate articulations and attention to detail with minimal input from the director (horn players).
3.       Accurately interpret a wide range of big band music with stylistically appropriate comping and rhythmic setups with minimal input from the director (rhythm section).
4.       Improvise in a big band medium at an advanced level.
5.       Demonstrate university-level proficiency on their instrument.
 

Objectives: Untitled document
Upon completion of this course, students will be able to:
1.      Accurately interpret and perform classic and contemporary jazz band literature of greater difficulty with emphasis on phrasing and nuance.
2.      Demonstrate technical proficiency in the performance of selected literature with emphasis on increasing dexterity, range and dynamic control.
3.      Demonstrate increased accountability through leadership responsibilities within the ensemble.
4.      Accurately sight read college-level literature for large jazz ensemble with attention to correct articulations, dynamics, and stylistic performance practice.
5.      Evaluate and critically analyze their musical performance for future improvement.
 
Students repeating Jazz Band will be able to:
1.      Demonstrate greater technical achievement on their instrument.
2.      Articulate musical phrases with greater clarity.
3.      Perform with higher standards of intonation.
4.      Demonstrate a more sophisticated comprehension of dynamics, phrasing, musical expression, and nuance.
5.      Demonstrate greater skill in sight-reading.

Topics and Scope
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I.     Advanced musical study addressing university-transferable skills in phrasing and interpretation.
II.    Troubleshooting and correcting problems unique to each instrument.
III.   Sight-reading of college-level jazz band literature.
IV.   Rehearsal and public performance of classic and contemporary works for large jazz ensemble.
V.     Study of particular technical challenges specific to the literature studied.
VI.    Jazz articulation techniques specific to the literature studied.
VII.   Special challenges in intonation and blend in the performance of the literature studied.
VIII.  The components of musical expression, such as phrasing, dynamic contrast, and nuance.
IX.    Differences in musical style specific to the literature studied.
X.     Critical analysis and comparison of the different artistic goals specific to the literature studied.
XI.    The role of improvisation in jazz performance with emphasis on achieving a professional sound.
XII.   Performance etiquette and proper performance dress.
 
Students repeating Jazz Band will perform new literature each semester, building on both their skill level and knowledge of the repertoire.

Assignments:
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1.      Preparation of the music outside of the classroom with emphasis on good practice habits and effective use of the rehearsal time available. The minimum practice time should be 1 hour per week per hour of rehearsal.
2.      Attendance at and participation in all rehearsals and concerts.
3.      Attendance at and participation in sectional rehearsals or rehearsals at different venues with soloists when scheduled.
4.      Final exam will be a public concert.
5.      The selected concert repertoire will dictate additional assignments to meet the requirements for that literature.
 
Students repeating Jazz Band will be held to higher standards of performance with each repetition.

Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing.Writing
0 - 0%
None
This is a degree applicable course but assessment tools based on writing are not included because skill demonstrations are more appropriate for this course.
Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills.Problem Solving
0 - 0%
None
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams.Skill Demonstrations
75 - 90%
In-class rehearsal, public concerts
Exams: All forms of formal testing, other than skill performance exams.Exams
0 - 0%
None
Other: Includes any assessment tools that do not logically fit into the above categories.Other Category
10 - 25%
Attendance and participation at rehearsals and concerts


Representative Textbooks and Materials:
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Instructor prepared materials

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