SRJC Course Outlines

12/27/2024 8:21:12 AMMUSC 55 Course Outline as of Fall 2024

Changed Course
CATALOG INFORMATION

Discipline and Nbr:  MUSC 55Title:  SONGWRITING  
Full Title:  Songwriting
Last Reviewed:2/27/2023

UnitsCourse Hours per Week Nbr of WeeksCourse Hours Total
Maximum3.00Lecture Scheduled3.0017.5 max.Lecture Scheduled52.50
Minimum3.00Lab Scheduled08 min.Lab Scheduled0
 Contact DHR0 Contact DHR0
 Contact Total3.00 Contact Total52.50
 
 Non-contact DHR0 Non-contact DHR Total0

 Total Out of Class Hours:  105.00Total Student Learning Hours: 157.50 

Title 5 Category:  AA Degree Applicable
Grading:  Grade or P/NP
Repeatability:  00 - Two Repeats if Grade was D, F, NC, or NP
Also Listed As: 
Formerly:  MUS 55

Catalog Description:
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This course is a popular songwriting workshop designed for aspiring and semi-professional songwriters. Students will create songs in several styles by analyzing and applying the lyrical, rhythmic, melodic, and harmonic strategies used in classic and contemporary songwriting. The subjects of copyrights, publishing, and distribution will also be presented.

Prerequisites/Corequisites:


Recommended Preparation:
Course Completion or Concurrent Enrollment in MUSC 2A

Limits on Enrollment:

Schedule of Classes Information
Description: Untitled document
This course is a popular songwriting workshop designed for aspiring and semi-professional songwriters. Students will create songs in several styles by analyzing and applying the lyrical, rhythmic, melodic, and harmonic strategies used in classic and contemporary songwriting. The subjects of copyrights, publishing, and distribution will also be presented.
(Grade or P/NP)

Prerequisites:
Recommended:Course Completion or Concurrent Enrollment in MUSC 2A
Limits on Enrollment:
Transfer Credit:CSU;
Repeatability:00 - Two Repeats if Grade was D, F, NC, or NP

ARTICULATION, MAJOR, and CERTIFICATION INFORMATION

Associate Degree:Effective:Inactive:
 Area:
 
CSU GE:Transfer Area Effective:Inactive:
 
IGETC:Transfer Area Effective:Inactive:
 
CSU Transfer:TransferableEffective:Fall 2023Inactive:
 
UC Transfer:Effective:Inactive:
 
C-ID:

Certificate/Major Applicable: Not Certificate/Major Applicable



COURSE CONTENT

Student Learning Outcomes:
At the conclusion of this course, the student should be able to:
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1. Compose lyrics and music for original songs.
2. Analyze the form, structure, groove, and lyrical elements of songs from different genres.
3. Explain the mechanics and legal issues of copyright, publishing, and distribution.
 

Objectives: Untitled document
At the conclusion of this course, the student should be able to:
1. Craft song lyrics using a variety of poetic devices.
2. Analyze the lyrical and musical characteristics of popular songs in various genres.
3. Compose popular songs with stylistically appropriate rhythmic, melodic, harmonic, and formal structure.
4. Create lead sheets for original compositions.
5. Explain the fundamentals of copyright, song publishing, performance rights organizations, and song distribution.

Topics and Scope
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I. Overview of the History of Popular Song
II. Song Lyrics
    A. A genuine idea and a memorable title
    B. Viewpoint, time frame, and setting
    C. Use of rhyme, metaphors, and similes
    D. Prosody
III. Musical Elements of Popular Song
    A. Beat, rhythm, meter, and groove
     B. Melody
         1. Motif, sequence, and phrase
         2. The "hook"
    C. Characteristic chord progressions
    D. Popular song forms
          1. Verse/chorus/bridge
          2. 12-bar blues (AAB)
          3. Standard (AABA)
          4. Other forms
IV.  Copyright Law
    A. United States Copyright Act: forms, protection, durations
    B. How to copyright your song
    C. Public Domain, "fair use" and issues in covering pre-existing material
V. Song Publishing
     A. Publishing basics
    B. Forming a publishing company
    C. Performance Rights Organizations (PROs)
         1. American Society of Composers, Authors and Publishers (ASCAP)
         2. Broadcast Music International (BMI)
         3. Society of European Stage Authors & Composers (SESAC), etc.
         4. Harry Fox Agency
VI. Song Distribution
    A. Placing songs with a recording artist
    B. Royalties
    C. Radio airplay, online streaming, and downloads

Assignments:
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1. Reading (10-20 pages per week)
2. Quizzes (3-7) on lecture topics
3. Create song titles (3-6). Define the essence of the lyrics and articulate the emotion, situation, or meaning for each title.
4. Song projects (includes the final):
    A. Take three titles and develop a plot strategy with a strong start and satisfying payoff.
    B. Create a rhythm, melody, and chord progression that fit your song style and lyric.
    C. Present songs in class (live or recorded). Include a chord sheet (with lyrics) and a focus sheet which defines the viewpoint, time frame, and setting for each song.

Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing.Writing
25 - 45%
Song lyrics
Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills.Problem Solving
25 - 45%
Song composition
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams.Skill Demonstrations
0 - 0%
None
Exams: All forms of formal testing, other than skill performance exams.Exams
10 - 15%
Quizzes
Other: Includes any assessment tools that do not logically fit into the above categories.Other Category
10 - 15%
Attendance and participation


Representative Textbooks and Materials:
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Beginning Songwriting: Writing Your Own Lyrics, Melodies, and Chords. Stolpe, Andrea and Jan Stolpe. Berklee Press. 2015 (classic).
The Songwriting Labyrinth: Practical Tools for Decoding the Mysterious Craft. Harrison, Clive. CreateSpace. 2015 (classic).
Successful Lyric Writing. Davis, Sheila. Beekman Books. 1990 (classic).
Instructor prepared materials

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