1/15/2025 6:46:37 AM |
| Changed Course |
CATALOG INFORMATION
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Discipline and Nbr:
ART 27A | Title:
SILKSCREEN PRINTMKG |
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Full Title:
Silkscreen Printmaking |
Last Reviewed:9/9/2024 |
Units | Course Hours per Week | | Nbr of Weeks | Course Hours Total |
Maximum | 3.00 | Lecture Scheduled | 2.00 | 17.5 max. | Lecture Scheduled | 35.00 |
Minimum | 1.50 | Lab Scheduled | 3.00 | 6 min. | Lab Scheduled | 52.50 |
| Contact DHR | 1.00 | | Contact DHR | 17.50 |
| Contact Total | 6.00 | | Contact Total | 105.00 |
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| Non-contact DHR | 0 | | Non-contact DHR Total | 0 |
| Total Out of Class Hours: 70.00 | Total Student Learning Hours: 175.00 | |
Title 5 Category:
AA Degree Applicable
Grading:
Grade or P/NP
Repeatability:
22 - 4 Times in any Comb of Levels
Also Listed As:
Formerly:
Catalog Description:
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Studio course introducing color silkscreen printmaking as a fine art print medium. Demonstrations and assignments involving paper stencil, knife-cut blockout and photostencils.
Prerequisites/Corequisites:
Recommended Preparation:
Course Completion of ART 3 OR Course Completion of ART 4 OR Course Completion of ART 7A
Limits on Enrollment:
Schedule of Classes Information
Description:
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Studio course introducing color silkscreen printmaking as a fine art print medium. Demonstrations & assignments involving paper stencil, knife cut blockout & photostencils.
(Grade or P/NP)
Prerequisites:
Recommended:Course Completion of ART 3 OR Course Completion of ART 4 OR Course Completion of ART 7A
Limits on Enrollment:
Transfer Credit:CSU;UC.
Repeatability:22 - 4 Times in any Comb of Levels
ARTICULATION, MAJOR, and CERTIFICATION INFORMATION
Associate Degree: | Effective: | | Inactive: | |
Area: | | |
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CSU GE: | Transfer Area | | Effective: | Inactive: |
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IGETC: | Transfer Area | | Effective: | Inactive: |
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CSU Transfer: | Transferable | Effective: | Fall 1981 | Inactive: | |
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UC Transfer: | Transferable | Effective: | Fall 1981 | Inactive: | |
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C-ID: |
Certificate/Major Applicable:
Certificate Applicable Course
COURSE CONTENT
Outcomes and Objectives:
At the conclusion of this course, the student should be able to:
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1. Learn the proper techniques of making prints using the stencil process
with squeegee.
2. Understand the proper and safe use of printmaking materials and tools.
3. Explore a variety of stencil methods, from the most direct to the
highly technical.
4. Create fine art prints which reflect the nature of the materials and
processes involved.
5. Experiment with a variety of approaches for making a visual statement.
6. Develop a working vocabulary of printmaking terms and a first-hand
understanding of their meaning.
7. Develop creative thinking skills and the exercise of aesthetic judge-
ments inherent to the visual arts.
8. Practice aesthetic criticism and gain a better understanding of form,
color and composition.
9. Relate silkscreen printmaking to other forms of printmaking and the
fine arts in general.
Topics and Scope
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1. Construction of the silkscreen frame, stretching fabric, taping and
sealing.
2. Demonstration of proper cleanup techniques to remove inks and stencils
from screen.
3. Mixing colors and proper ink consistency for printing.
4. Review of various artists' work and analysis of their ideas.
5. Completion of outside research and production of preparatory sketches
as required.
6. Ovrprinting with transparent inks to create new color mixtures.
7. Exploration of figure/ground possibilities and the utilization of the
paper as an important element in the print.
8. Investigation of expressive brush techniques to make stencils.
9. Designing and executing a precise, knife-cut stencil that is adhered
to the screen.
10. Composing a collage of photgraphic elements to be used in a photo-
stencil print.
11. Use of the graphic arts darkroom equipment and photo processes to
create film positives and negatives.
12. Photostencil process including: exposure, washout and adhering.
13. The propr care and handling of finished prints, editin numbering,
signing, matting, etc.
Assignments:
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1. One-color print using paper stencil.
2. Multi-color print using transparent inks.
3. Progressive blockout print.
4. Knife-cut film stencil print.
5. Direct brush and resist method.
6. Photostencil and collage print.
The subject matter for the above assignments may involve self-portrait,
landscape, still life, the figure, and non-objective forms.
Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing. | Writing 0 - 0% |
None | |
This is a degree applicable course but assessment tools based on writing are not included because problem solving assessments and skill demonstrations are more appropriate for this course. |
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Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills. | Problem Solving 10 - 30% |
Homework problems | |
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams. | Skill Demonstrations 10 - 30% |
Class performances | |
Exams: All forms of formal testing, other than skill performance exams. | Exams 0 - 0% |
None | |
Other: Includes any assessment tools that do not logically fit into the above categories. | Other Category 80 - 100% |
A PORTFOLIO OF COMPLETED WORK WILL BE MAJOR BASIS FOR COURSE GRADE.OTHER FACTORS:ATTENDANCE, GROWTH, AND CLASS PARTICIPATION. | |
Representative Textbooks and Materials:
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A Silkscreen Manual by...
Silkscreen as a Fine Art by Clifford Chieffo
Screen Printing by J. Biegeleisen
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