12/9/2024 3:59:03 PM |
| New Course (First Version) |
CATALOG INFORMATION
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Discipline and Nbr:
THAR 13.2 | Title:
SHAKESPEARE WORKSHOP |
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Full Title:
Performance Workshop: Shakespeare |
Last Reviewed:4/26/2021 |
Units | Course Hours per Week | | Nbr of Weeks | Course Hours Total |
Maximum | 3.00 | Lecture Scheduled | 2.00 | 17.5 max. | Lecture Scheduled | 35.00 |
Minimum | 3.00 | Lab Scheduled | 3.00 | 17.5 min. | Lab Scheduled | 52.50 |
| Contact DHR | 0 | | Contact DHR | 0 |
| Contact Total | 5.00 | | Contact Total | 87.50 |
|
| Non-contact DHR | 0 | | Non-contact DHR Total | 0 |
| Total Out of Class Hours: 70.00 | Total Student Learning Hours: 157.50 | |
Title 5 Category:
AA Degree Applicable
Grading:
Grade Only
Repeatability:
39 - Total 2 Times
Also Listed As:
Formerly:
Catalog Description:
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Introduction to performing Shakespeare through an exploration of historical context, text analysis, acting theory, and performance techniques. Includes both in-depth monologue and scene work, resulting in a showcase performance open to the public.
Prerequisites/Corequisites:
Course Completion of THAR 10B
Recommended Preparation:
Course Completion of THAR 1 OR Course Completion of ENGL 27
Limits on Enrollment:
Schedule of Classes Information
Description:
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Introduction to performing Shakespeare through an exploration of historical context, text analysis, acting theory, and performance techniques. Includes both in-depth monologue and scene work, resulting in a showcase performance open to the public.
(Grade Only)
Prerequisites:Course Completion of THAR 10B
Recommended:Course Completion of THAR 1 OR Course Completion of ENGL 27
Limits on Enrollment:
Transfer Credit:CSU;UC.
Repeatability:39 - Total 2 Times
ARTICULATION, MAJOR, and CERTIFICATION INFORMATION
Associate Degree: | Effective: | | Inactive: | |
Area: | | |
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CSU GE: | Transfer Area | | Effective: | Inactive: |
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IGETC: | Transfer Area | | Effective: | Inactive: |
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CSU Transfer: | Transferable | Effective: | Fall 2005 | Inactive: | |
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UC Transfer: | Transferable | Effective: | Fall 2005 | Inactive: | |
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C-ID: |
Certificate/Major Applicable:
Not Certificate/Major Applicable
COURSE CONTENT
Outcomes and Objectives:
At the conclusion of this course, the student should be able to:
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Upon completion of this course, the student will be able to:
1. Prepare, rehearse and perform Shakespeare scenes, monologues, and
sonnets at an introductory level.
2. Analyze and score Shakespeare scripts (verse and prose) utilizing terms
and scansion techniques.
3. Conduct research and text analysis in preparation for roles from
different Shakespeare plays.
4. Translate basic Shakespeare acting theories and analytical concepts
into practical application through performance interpretations.
5. Create and sustain the distinct physical, vocal, and behavioral
components of multiple Shakespeare characters.
6. Revise and enhance acting choices, objectively incorporating the
feedback of others, and utilizing the rehearsal process as a period of
creative exploration.
7. Critique the work of others performing Shakespeare, utilizing terms and
concepts relating to the style.
8. Select and prepare contrasting Shakespeare audition material that
highlights personal skills and casting potential, while adhering to
audition criteria.
9. Audition for a Shakespeare production, including performing a
contrasting monologue package and participating in cold readings.
10. Support the throughline of a composite showcase by sustaining energy,
focus, and pacing, as well as creatively interpreting transitional
business.
11. Work cooperatively and professionally within a high stress environment
to produce a collaborative work of art for public performance.
A student repeating the course will be able to:
- Analyze Shakespeare scripts at increasingly complex levels.
- Perform Shakespeare monologues, scenes, and sonnets with greater
proficiency and confidence.
- Demonstrate broader knowledge of the Shakespeare canon gained by
working on different scripts.
- Perform for a public audience with greater proficiency and
confidence.
Topics and Scope
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I. Introduction to Shakespeare
A. Course introduction and professionalism standards
B. Historical overview
C. Shakespeare's works
D. Shakespeare's voice in today's world
E. Elizabethan vs. modern acting
F. Research techniques and reference materials
G. Selecting a script version
II. Approaching Shakespeare
A. Overcoming anxieties about Shakespeare
B. Basic structural components
C. Reading a Shakespeare play
III. Basic Acting Skills Applied to Shakespeare
A. Objectives, obstacles, actions, and motivations
B. Substitution, personalization, and instincts
C. Given and imaginary circumstances
D. Analyzing beats
E. Acting styles
F. Rehearsing and critiquing performances
IV. Understanding Shakespeare's Language
A. Heightened/elevated vs. naturalistic language
B. Word definitions and spellings
C. Figures of speech - meaning/usage
D. Figures of speech - sound
E. Playing with the language
1. Allusions
2. Puns and wordplay
3. Slang and colloquial expressions
4. Double meanings, entendre, bawdry
5. Syntax, Schemes-unusual arrangements of words
6. Tropes-unusual meanings of words
7. Other organizational devices
F. Analyzing the punctuation
G. Identifying operative words
V. Speaking Shakespeare's Verse
A. Analyzing the metre
1. Defining iam and iambic pentameter
2. Variations on iambic pentameter
3. Using the Caesura
B. Notating scansion
C. Performance techniques for verse
1. Rhythm, cadence, tempo, pace
2. Phrasing
3. Handling rhyming verse
4. Breathing and breath support
5. Handling line endings
VI. Speaking Shakespeare's Prose
A. Functions of prose
B. Interpretation techniques
C. Verse/prose alternation
VII. Preparing for Performance
A. Rehearsal and performance process
B. Scoring the text
C. Comprehension and rehearsal techniques
D. Balancing emotional truth and technique
E. Vocal techniques and characterization
F. Physical techniques and characterization
1. Developing the character's body
2. Supporting the text
3. Supporting the style
a. Elizabethan/Jacobean movement/manners
b. Applying other styles to Shakespeare
VIII. Other Shakespeare Performance Techniques
A. Auditioning for a Shakespeare play
1. Identifying strengths and casting type
2. Researching and selecting monologues
3. Preparing the text
4. Rehearsing and staging
5. Handling cold readings
B. Related areas and further study
1. Stage combat training
2. Vocal training
3. Period music and movement
IX. Preparing for the Showcase
A. Rehearsing a composite performance
1. Order and shape of the performance
2. Transitional material
3. Cutting and excerpting
4. Differentiating multiple characters
B. Performance techniques
1. Personal and group warm-ups
2. Maintaining consistency and focus
3. Handling nerves
4. Handling audience responses
5. Handling the unexpected
Students repeating the course will:
- read different plays each semester.
- work with new sonnets, monologues, and scene selections each semester.
- advance their skills and knowledge by assisting peers.
Assignments:
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As a 2-hour lecture/3-hour lab course, students will complete 4 hours of
homework per week, which may include:
1. Reading: 10-40 pages/week (text, scripts, prepared materials),
including approx. five Shakespeare plays during the semester.
(at least one script will be assigned to full class)
2. Written Work and Problem-Solving:
a. 1-4 short homework exercises, on subjects such as:
- Shakespeare research for actors
- Basic acting analysis
- Sonnet scansion
- Figures of speech
b. Script scoring and analysis for monologues
c. Script scoring and analysis for each scene
d. Performance critiques (notes and/or 1-2 page papers
critiquing performance work of self and others).
3. In-class Performances:
Stage, memorize, and perform the following -
a. 1-2 Shakespeare sonnets
b. 2 contrasting monologues (audition package)
c. 2-3 partnered Shakespeare scenes
4. Public Showcase:
a. Revive and rehearse existing pieces.
b. Memorize and rehearse any new pieces selected for the Showcase.
c. Assist in the preparation of the Showcase
(props, costumes, set-up, transitions, etc.)
d. Attend 2-5 out-of-class rehearsals for the Showcase.
e. Participate in two public Showcase performances.
f. Participate in Showcase strike.
g. Participate in Showcase follow-up discussion.
5. Acting Professionalism and Attendance:
a. Arrive promptly and prepared for all class meetings,
outside rehearsals, and performances.
b. Maintain an amiable and supportive attitude.
c. Participate actively in class discussions and exercises.
d. Work collaboratively with scene partners.
e. Perform each role in a conscientious and dedicated manner.
f. Respectfully follow director's instructions in Showcase
preparation and maintain that direction in performance.
g. Strive to maintain good health and safety practices.
h. Follow the terms of the course syllabus.
6. Production Viewing (outside of class):
a. View 1-2 assigned Shakespeare productions
(may be live performance or on video)
b. Attend 1-3 Theatre Arts productions.
Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing. | Writing 10 - 20% |
Written homework, Script/Character Analysis; Performance Critiques | |
Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills. | Problem Solving 5 - 15% |
Script scansion and scoring | |
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams. | Skill Demonstrations 60 - 70% |
Class performances, Showcase preparation and performance | |
Exams: All forms of formal testing, other than skill performance exams. | Exams 0 - 0% |
None | |
Other: Includes any assessment tools that do not logically fit into the above categories. | Other Category 5 - 10% |
Professionalism (includes attendance and participation) | |
Representative Textbooks and Materials:
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Acting With Style. Third edition. Harrop, John and Epstein, Sabine.
Allyn and Bacon: 2000.
Shakespeare Without Fear. Olivieri, Joseph. Harcourt: 2001.
How To Speak Shakespeare. Pritner, Cal and Colaianni, Louis.
Santa Monica Press: 2001.
The Actor And His Text. Cicely Berry. Applause Books: 1992.
Shakescenes (Shakespeare For Two). Brown, John Russell (ed).
Applause, 1992.
Playing Shakespeare. John Barton. Methuen Inc.: 1989.
Freeing Shakespeare's Voice. Kristin Linklater.
Theatre Communication Group: 1992.
Instructor Prepared Materials
Scripts for selected plays
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