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At the conclusion of this course, the student should be able to:
1. Prepare drawings for prints using principles of design
2. Develop hand skills for working into the print matrix an.d ink application
3. Appropriately set up work areas and thoroughly clean up afterwards
4. Use safe studio practice for solvents, chemicals and inks
5. Practice printing on various papers
6. Pull consistent impressions appropriate for an edition
7. Appreciate historical examples of printmaking and be familiar with some old master
printmakers
8. Distinguish between print techniques and between a traditional print and digital reproduction
9. Give and receive constructive critique of art work
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I. Printmaking Materials
A. Papers - choosing papers, deciding appropriate size, and tearing down
B. Inks - choosing and mixing, additives for specific purposes
C. Printing surfaces - familiarity and methods to approach
D. Studio chemicals and equipment - safety and best practices
II. Preparing an Image for Print
A. The principles of drawing and composition
1. scale
2. equilibrium
3. value
4. gesture
5. proportion
B. Appropriate images for the different print processes
C. Reversal and transfer of drawings onto the matrix
D. Breaking down an image into layers
E. Simplification of masses
F. Look at historical examples of print
III. Working an Image Into the Block
A. Sanding and preparing blocks and plates
B. Hard and soft ground coatings for intaglio plates
C. Using acid to etch lines into the plate
D. Cutting a wood or linocut image using carving tools
E. Acrylic and mixed media application for collagraph process
IV. Ink Mixing and Application
A. Removal from and return to containers
B. Necessary additives for particular applications
C. Color mixing and application methods (blend rolls and a la poupee inking)
D. Difference between printmaking papers and appropriate papers for each process
E. Print drying, overprinting and registration
V. Preparations and Printing Functions
A. Print workstations, upkeep and workflow
B. Prescribed use of materials/equipment
C. Signing, matting and handling of prints
VI. Critique- Developing the Skills to Give and Receive Feedback from Peers
VII. Health and Safety
A. Correct use of inks and solvents
B. Familiarity with studio hazards and appropriate safety protocol
C. Safe studio maintenance and clean up procedure
All topics are covered in both the lecture and lab parts of the course.
| Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing. | Writing
0 - 0% |
| None | |
| This is a degree applicable course but assessment tools based on writing are not included because problem solving assessments and skill demonstrations are more appropriate for this course. |
|
| Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills. | Problem Solving
35 - 55% |
| Design preparation, A portfolio of preparatory designs and completed work will be the primary basis for the grade. Participation in a formal critique | |
| Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams. | Skill Demonstrations
35 - 45% |
| Studio practice including class performance | |
| Exams: All forms of formal testing, other than skill performance exams. | Exams
0 - 10% |
| Optional vocabulary quiz | |
| Other: Includes any assessment tools that do not logically fit into the above categories. | Other Category
5 - 15% |
| Attendance and participation | |
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Modern Printmaking: A Guide to Traditional and Digital Techniques. Covey, Sylvie. Watson-Guptill. 2016
The Printmaking Bible: The Complete Guide to Materials and Techniques. Hughes, Ann d'Arcy and Vernon-Morris, Hebe. Chronicle Books. 2008 (classic)
The Complete Printmaker: Techniques, Traditions, Innovations. Ross, John. The Free Press. 1991 (classic)