SRJC Course Outlines

4/23/2024 10:09:30 PMDANCE 11.6 Course Outline as of Spring 2014

New Course (First Version)
CATALOG INFORMATION

Discipline and Nbr:  DANCE 11.6Title:  BALLET VI  
Full Title:  Ballet VI
Last Reviewed:2/28/2022

UnitsCourse Hours per Week Nbr of WeeksCourse Hours Total
Maximum1.50Lecture Scheduled.7517.5 max.Lecture Scheduled13.13
Minimum1.50Lab Scheduled2.256 min.Lab Scheduled39.38
 Contact DHR0 Contact DHR0
 Contact Total3.00 Contact Total52.50
 
 Non-contact DHR0 Non-contact DHR Total0

 Total Out of Class Hours:  26.25Total Student Learning Hours: 78.75 

Title 5 Category:  AA Degree Applicable
Grading:  Grade or P/NP
Repeatability:  00 - Two Repeats if Grade was D, F, NC, or NP
Also Listed As: 
Formerly: 

Catalog Description:
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This course, for advanced (Level VI) dancers with prior ballet experience, covers advanced (Level VI) ballet principles and skills in the areas of technique, movement, vocabulary, style, and musicality. The course also includes ballet aesthetics and emphasizes performance skills as they pertain to advanced (Level VI) ballet.

Prerequisites/Corequisites:


Recommended Preparation:
Course Completion of DANCE 11.5 ( or DANCE 81.5)

Limits on Enrollment:
By audition

Schedule of Classes Information
Description: Untitled document
This course, for advanced (Level VI) dancers with prior ballet experience, covers advanced (Level VI) ballet principles and skills in the areas of technique, movement, vocabulary, style, and musicality. The course also includes ballet aesthetics and emphasizes performance skills as they pertain to advanced (Level VI) ballet.
(Grade or P/NP)

Prerequisites:
Recommended:Course Completion of DANCE 11.5 ( or DANCE 81.5)
Limits on Enrollment:By audition
Transfer Credit:CSU;UC.
Repeatability:00 - Two Repeats if Grade was D, F, NC, or NP

ARTICULATION, MAJOR, and CERTIFICATION INFORMATION

Associate Degree:Effective:Inactive:
 Area:
 
CSU GE:Transfer Area Effective:Inactive:
 
IGETC:Transfer Area Effective:Inactive:
 
CSU Transfer:TransferableEffective:Spring 2014Inactive:
 
UC Transfer:TransferableEffective:Spring 2014Inactive:
 
C-ID:

Certificate/Major Applicable: Not Certificate/Major Applicable



COURSE CONTENT

Outcomes and Objectives:
At the conclusion of this course, the student should be able to:
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1. Utilize ballet terminology to describe advanced (Level VI) ballet movement vocabulary.
2. Perform advanced (Level VI) ballet warm-ups, techniques, stretching, strengthening exercises, center and across the floor exercises.
3. Explain technical principles incorporated in advanced (Level VI) ballet dance and apply these principles to the execution of advanced (Level VI) ballet movement.
4. Perform advanced (Level VI)  enchainments (chains of steps).
5. Display performance skills in presentations of advanced (Level VI) ballet class choreography.
6. Identify basic rhythmic concepts incorporated inadvanced (Level VI) ballet and relate them to the execution of ballet movement.
7. Count advanced (Level VI) ballet movement sequences.
8. Critique a ballet performance or a ballet piece applying basic ballet aesthetics and advanced (Level VI) ballet principles.

Topics and Scope
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I.   French ballet terminology and corresponding ballet movement vocabulary
II.  Level VI ballet technique
      A. Technical principles
      1. alignment
      2.  turn-out
      3.  use of plie
      4. releve
      5. extension
     B. Directions
      1. en face
      2. croise
      3. efface
    C. Body positions
      1.  en dehors
      2.  en dedans
      3.  en avant
      4.  en arriere
      5.  devant
      6.  derriere
    D. Positions and movements of the arms (port de bras)
    E. Positions and movements of the feet and legs
    F. Turns
    G. Jumps
    H. Adagio
    I. Petit allegro
    J. Grand allegro
    K. Reverence
III. Level VI enchainments
IV.  Supplementary strengthening and stretching
V.   Ballet movement qualities
VI.  Performance skills
     A.  Projection
    B.  Dynamics
    C.  Style and facial expression
    D.  Musicality
     E.  Creating the illusion of effortlessness
VII. Rhythmic principles for Level VI ballet
VIII.Counting Level VI ballet movement
IX.  Level VI ballet movement execution
    A.  Verbal descriptions
        1. Ballet terminology
        2. Use of imagery
        3. Biomechanics
     B. Demonstration of movement
    C. Tactile information
    D. Kinesthetic awareness enhancing tools or methods
    E. Corrections
    F. Critical analysis of performed movement
X.   Critiquing ballet choreography - what to look for in a ballet work

Assignments:
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Homework:
1. Weekly practice of ballet skills and/or choreography covered in class sessions
2. Memorization and practice of enchainments
3. Perform exercises to strengthen and/or stretch muscle groups required to execute ballet movements
4. Written critique of a dance piece or performance (2 - 3 pages)
5. Reading of handouts and/or selected readings (5-10 pages per week)
 
In class assignments include:
1. Ballet technique class activities assessed in terms of technique and performance capabilities (class performances)
2. 1 to 3 performance exams (performance of enchainments)
3. Note-taking when appropriate
4. Practice sessions
5 .Final exam
 
Optional assignments
1. Ballet video viewing and analysis
2. Partner activities focusing on ballet techniques
3. Rehearsal of choreography for performance

Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing.Writing
5 - 11%
Critique
Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills.Problem Solving
0 - 0%
None
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams.Skill Demonstrations
40 - 60%
Class performances, performance exams
Exams: All forms of formal testing, other than skill performance exams.Exams
5 - 11%
Quizzes or Exams
Other: Includes any assessment tools that do not logically fit into the above categories.Other Category
20 - 40%
Attendance and participation, video viewing and analysis, partner activities, rehearsal


Representative Textbooks and Materials:
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The Ballet Companion: A Dancer's Guide to the Techniques, Traditions, and Joys of Ballet (1st). Minden, Eliza Gaynor. Simon & Schuster: 2005 (classic).
Instructor prepared materials

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