SRJC Course Outlines

3/11/2026 12:03:40 AMART 34A Course Outline as of Fall 1981

New Course (First Version)
CATALOG INFORMATION

Discipline and Nbr:  ART 34ATitle:  CERAMIC SCULPTURE  
Full Title:  Ceramic Sculpture
Last Reviewed:3/24/2025

UnitsCourse Hours per Week Nbr of WeeksCourse Hours Total
Maximum3.00Lecture Scheduled2.0017.5 max.Lecture Scheduled35.00
Minimum3.00Lab Scheduled4.0017 min.Lab Scheduled70.00
 Contact DHR0 Contact DHR0
 Contact Total6.00 Contact Total105.00
 
 Non-contact DHR0 Non-contact DHR Total0

 Total Out of Class Hours:  70.00Total Student Learning Hours: 175.00 

Title 5 Category:  AA Degree Applicable
Grading:  Grade or P/NP
Repeatability:  00 - Two Repeats if Grade was D, F, NC, or NP
Also Listed As: 
Formerly: 

Catalog Description:
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Basic concepts and techniques of clay as a sculptural material.  Self expression is encouraged and special emphasis given the interpretation of the human figure.

Prerequisites/Corequisites:


Recommended Preparation:
Art 3, 5, 12

Limits on Enrollment:

Schedule of Classes Information
Description: Untitled document
Concepts/techniques of clay as sculptural material.
(Grade or P/NP)

Prerequisites:
Recommended:Art 3, 5, 12
Limits on Enrollment:
Transfer Credit:CSU;UC.
Repeatability:00 - Two Repeats if Grade was D, F, NC, or NP

ARTICULATION, MAJOR, and CERTIFICATION INFORMATION

Associate Degree:Effective:Inactive:
 Area:
 
CSU GE:Transfer Area Effective:Inactive:
 
IGETC:Transfer Area Effective:Inactive:
 
CSU Transfer:TransferableEffective:Fall 1981Inactive:
 
UC Transfer:TransferableEffective:Fall 1981Inactive:
 
C-ID:

Certificate/Major Applicable: Certificate Applicable Course



COURSE CONTENT

Outcomes and Objectives:
At the conclusion of this course, the student should be able to:
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1.  Explore the use of clay and glazes by means of a variety of methods.
2.  Develop a working vocabulary of ceramic terms and a firsthand under-
   standing of their meanings.
3.  Employ creative thinking skills (nonverbal and abstract forms of
   thought) and exercise decision-making skills (aesthetic judgements)
   inherent to the visual arts.
4.  Develop visual perception skills to recognize forms and surfaces
   found in nature and the man-made environment and utilize them in the
   formation of ceramic sculpture.
5.  Examine cultural and historical examples of ceramic sculpture and
   sculpture created from other media.
6.  Practice aesthetic criticism and form analysis by participating in
   class discussions of work.

Topics and Scope
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1.  Manipulate clay by means of a variety of forming methods.
2.  Decorate clay sculpture with colored clays, glazes and non-fired
   surfaces.
3.  Study ancient and contemporary ceramic sculpture by means of books,
   periodicals, slides and actual objects when available.

Assignments:
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1.  Use a variety of methods (slab, pinch, coil) to create sculptural
   objects: animals, figures, architectural and non-representational
   forms.
2.  Utilize various armatures to support clay.
3.  Use clay as a decorative surface:  scraping, incising, sprigging,
   applying colored slip.
4.  Use glazes as a decorative surface; dipping, pouring, spraying.
5.  Overglaze with oxides; brushed, spatered, poured.
6.  Experiment with unfired surfaces; acrylic paint, enamels.
7.  Examine books and magazines devoted to ceramic art and artists.

Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing.Writing
0 - 0%
None
Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills.Problem Solving
0 - 0%
None
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams.Skill Demonstrations
0 - 0%
None
Exams: All forms of formal testing, other than skill performance exams.Exams
0 - 0%
None
Other: Includes any assessment tools that do not logically fit into the above categories.Other Category
75 - 100%
A final exhibit of completed work will be the major basis for course grade Other factors: attendance, effort, artistic growth, and class participatio


Representative Textbooks and Materials:
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Understanding Three Dimensions, Johathan Block, Jerry Leisure
Ceramics, 5th Ed. Glenn Nelson
Images in Clay Sculpture, Charlotte Speight

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