12/9/2024 2:17:16 PM |
| New Course (First Version) |
CATALOG INFORMATION
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Discipline and Nbr:
THAR 11.4 | Title:
PERFORM MUSICAL-VOCAL |
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Full Title:
Performance: Musical-Vocal |
Last Reviewed:4/22/2024 |
Units | Course Hours per Week | | Nbr of Weeks | Course Hours Total |
Maximum | 2.00 | Lecture Scheduled | 0 | 17.5 max. | Lecture Scheduled | 0 |
Minimum | 1.00 | Lab Scheduled | 0 | 17 min. | Lab Scheduled | 0 |
| Contact DHR | 6.00 | | Contact DHR | 105.00 |
| Contact Total | 6.00 | | Contact Total | 105.00 |
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| Non-contact DHR | 0 | | Non-contact DHR Total | 0 |
| Total Out of Class Hours: 0.00 | Total Student Learning Hours: 105.00 | |
Title 5 Category:
AA Degree Applicable
Grading:
Grade Only
Repeatability:
34 - 4 Enrollments Total
Also Listed As:
Formerly:
Catalog Description:
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Preparation and presentation of the vocal components of a role in a musical theatre production for public performance. Focus of the course is on learning the show's songs while incorporating character and theatrical voice techniques.
Prerequisites/Corequisites:
Recommended Preparation:
Limits on Enrollment:
By audition only
Schedule of Classes Information
Description:
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Preparation and presentation of the vocal components of a role in a musical theatre production for public performance. Focus of the course is on learning the show's songs while incorporating character and theatrical voice techniques.
(Grade Only)
Prerequisites:
Recommended:
Limits on Enrollment:By audition only
Transfer Credit:CSU;UC.
Repeatability:34 - 4 Enrollments Total
ARTICULATION, MAJOR, and CERTIFICATION INFORMATION
Associate Degree: | Effective: | | Inactive: | |
Area: | | |
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CSU GE: | Transfer Area | | Effective: | Inactive: |
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IGETC: | Transfer Area | | Effective: | Inactive: |
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CSU Transfer: | Transferable | Effective: | Fall 2005 | Inactive: | |
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UC Transfer: | Transferable | Effective: | Fall 2005 | Inactive: | |
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C-ID: |
Certificate/Major Applicable:
Certificate Applicable Course
COURSE CONTENT
Outcomes and Objectives:
At the conclusion of this course, the student should be able to:
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Upon completion of this course, the student will be able to:
1. Demonstrate the professional responsibilities of a singing actor while
participating in the preparation and performance process of a musical.
2. Independently analyze a musical score, both technically and from a
character's point of view.
3. Work cooperatively within a high stress environment to produce a
collaborative work of art.
4. Create and sustain the physical, vocal, and behavioral components of a
character within each song, while retaining the style of the musical.
5. Integrate the elements of singing, dancing and acting, even when
learned separately.
6. Memorize quickly, and retain lyrics, music, and technical notes.
7. Revise, experiment with, and enhance vocal choices as instructed by
the vocal director and production director during the rehearsal
process.
8. Maintain good vocal health through a rehearsal and performance
process.
9. Adapt to the stimulation and input of live audiences while maintaining
focus and concentration.
10. Reproduce a successful vocal characterization in multiple performances
presented over a period of time.
A student repeating this course will be preparing and performing an
entirely new vocal role from a different musical. Repeating students will
be:
- Working with different directorial styles and production processes.
- Analyzing different libretti and scores, improving analytical skills
and developing versatility in singing characterization.
- Gaining greater confidence as a performer and fine-tuning singing
skills by performing for diverse audiences.
Topics and Scope
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Depending on the nature and production style of the particular musical to
be performed, the following topics will be studied:
1. Historical and dramatic context of the music and lyrics
2. Vocal rehearsal and performance procedures
A. Scheduling and process
B. Working with an accompanist
C. Etiquette
D. Making rehearsal tapes
E. Memorizing lyrics and music
F. Standards of professionalism
3. Vocal health and safe practices
4. Vocal Techniques
A. Articulation
B. Projection
C. Characterization
D. Breath support
E. Pronunciation
F. Stylization
5. Physical techniques
A. Characterization, as it relates to singing
B. Movement, as it relates to singing
6. Incorporation of other musical theatre elements
A. Choreography
B. Acting and staging
C. Movement to music (non-dance)
D. Working with multiple directors (vocal, musical, choreographer,
etc.)
E. Sustaining dramatic throughline
7. Technical/design elements that may impact singing
A. Orchestra/band and conductor
B. Sound
1. Working with microphones-body, hand, stage
2. Timing with sound effects
3. Costumes and props (corsets, etc.)
4. Makeup (prosthetics, facial hair, etc.)
5. Special effects (fog, smoke, etc.)
8. Sitz probe procedures
9. Technical rehearsal procedures
10. Dress rehearsal procedures
11. Performance techniques
A. Maintaining consistency and focus
B. Handling nerves and working calmly under stress
C. Handling audience responses
D. Handling the unexpected
E. Personal and group warm-ups
Assignments:
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1. Prepare vocal material in a timely manner as required by the
production schedule:
a. Independently complete score analysis and research work, revising
as needed during the rehearsal process.
b. Accurately memorize vocal music and cues by the schedule deadline.
c. Incorporate, memorize, and review other elements of the musical
that are integrated with the songs (dancing, acting, etc.)
2. Attend all scheduled vocal rehearsals for which the singer is called.
Communicate potential schedule conflicts prior to final casting.
Conflicts communicated after casting may be refused by the production
director or may result in removal from the production.
3. Adhere to the standards of professionalism:
a. Arrive promptly and prepared for all vocal rehearsals, warm-ups,
and performances.
b. Maintain an amiable and supportive attitude when interacting with
other members of the production company - fellow singers, vocal
director, stage manager, accompanist, orchestra members,
designers, etc.
c. Respectfully follow the vocal director's instructions in the
preparation of the role and maintain that direction in
performance.
d. Perform assigned role in a conscientious and dedicated manner.
e. Strive to maintain good vocal health and safety practices
throughout the rehearsal and performance process.
Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing. | Writing 0 - 0% |
None | |
This is a degree applicable course but assessment tools based on writing are not included because skill demonstrations are more appropriate for this course. |
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Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills. | Problem Solving 0 - 0% |
None | |
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams. | Skill Demonstrations 75 - 80% |
Class performances, Production performances | |
Exams: All forms of formal testing, other than skill performance exams. | Exams 0 - 0% |
None | |
Other: Includes any assessment tools that do not logically fit into the above categories. | Other Category 20 - 25% |
Professionalism | |
Representative Textbooks and Materials:
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Score of selected musical
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