SRJC Course Outlines

5/1/2024 7:39:11 PMART 31A Course Outline as of Spring 2001

Changed Course
CATALOG INFORMATION

Discipline and Nbr:  ART 31ATitle:  BEGINNING POTTERY  
Full Title:  Beginning Pottery
Last Reviewed:10/22/2018

UnitsCourse Hours per Week Nbr of WeeksCourse Hours Total
Maximum3.00Lecture Scheduled2.0017.5 max.Lecture Scheduled35.00
Minimum1.50Lab Scheduled4.005 min.Lab Scheduled70.00
 Contact DHR0 Contact DHR0
 Contact Total6.00 Contact Total105.00
 
 Non-contact DHR0 Non-contact DHR Total0

 Total Out of Class Hours:  70.00Total Student Learning Hours: 175.00 

Title 5 Category:  AA Degree Applicable
Grading:  Grade or P/NP
Repeatability:  00 - Two Repeats if Grade was D, F, NC, or NP
Also Listed As: 
Formerly: 

Catalog Description:
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Wheel and hand-building methods of pottery. Glaze application and decoration techniques. Experiments in glaze making.

Prerequisites/Corequisites:


Recommended Preparation:

Limits on Enrollment:

Schedule of Classes Information
Description: Untitled document
Wheel and hand-building, glaze making and application.
(Grade or P/NP)

Prerequisites:
Recommended:
Limits on Enrollment:
Transfer Credit:CSU;UC.
Repeatability:00 - Two Repeats if Grade was D, F, NC, or NP

ARTICULATION, MAJOR, and CERTIFICATION INFORMATION

Associate Degree:Effective:Inactive:
 Area:
 
CSU GE:Transfer Area Effective:Inactive:
 
IGETC:Transfer Area Effective:Inactive:
 
CSU Transfer:TransferableEffective:Fall 1981Inactive:
 
UC Transfer:TransferableEffective:Fall 1981Inactive:
 
C-ID:
 CID Descriptor: ARTS 230 Introduction to Ceramics SRJC Equivalent Course(s): ART31A

Certificate/Major Applicable: Certificate Applicable Course



COURSE CONTENT

Outcomes and Objectives:
At the conclusion of this course, the student should be able to:
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1.  Develop an understanding of the basic use of clay and glazes in
the creation of pottery forms.
2.  Develop an awareness of visual and functional relationships such
as proportion, scale, positive and negative shapes, form and surface.
3.  Develop hand skills necessary for basic mastery of ceramic forms
created at the potter's wheel and at the handbuilding tables and for
basic mastery of glazing.
4.  Develop a working vocabulary of ceramic terms and a firsthand
understanding of their meanings.
5.  Cultivate an understanding of the creative process which includes
both the development of disciplined work habits and the practice of
handskills, as well as risk-taking and experimentation.
6.  Exercise ability to make critical aesthetic and technical judgments
through class critiques.
7.  Examine and analyze examples of pottery, both historical and
contemporary.
8.  Define health and safety issues that arise from the use of materials
and equipment associated with ceramics.  Train students in the safe
handling of clay and glaze materials and of equipment used in ceramic
processes.

Topics and Scope
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The primary intent of Art 31A is visual awareness and performance
using clay and glazes in a studio setting.  This includes:
1.  The ability to produce basic pottery forms -- cylinders, bowls,
vases, simple lidded containers.
2.  The ability to complete pottery forms with premixed glazes.
3.  The ability to make aesthetic and technical decisions and judgments
about these basic forms.
4.  The ability to perform specific techniques to demonstrate under-
standing of the creation of pottery: throwing on the potter's wheel,
pinching coiling, using both soft and firm slabs, decorating with
colored clays, glazing and firing.
5.  The ability to intelligently and safely use and care for the
materials, tools and equipment associated with ceramics:  clays, glazes,
slips, handtools, potter's wheels, slabrollers, kilns.
The scope and sequence of the course will be presented as follows:
1.  Through lectures concerning the visual, technical, and historical
aspects of pottery.
2.  Through lecture/demonstrations of the proper use of materials,
equipment, and techniques.
3.  Through student practice and demonstration of ceramic techniques and
processes.
4.  Through one-on-one assistance, discussion and evaluation with
individual students.
5.  Through group critique discussions and presentations of in-process
and completed pottery.
Specific areas of study within Art 31A include:
1.  Clay used in the creation of pottery: color, texture, temperature,
suitability.
2.  Glazes used on the surface of pottery: color, texture, temperature,
application.
3.  Forming methods: potter's wheel, handbuilding.
4.  Glaze application: dip, pour, brush.
5.  Firing: electric, gas, raku kilns.  Low, mid and high temperatures.
6.  Concepts and concerns of form and function inherent to the creation
of art pottery.

Assignments:
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1.  Use the potter's wheel to create clay cylinders and a series of
   simple forms:  mugs, vases, bowls.
2.  Utilize slabs of clay to form geometric or organic-shaped pottery:
   plates, boxes, vases.
3.  Use clay itself as a decorative surface: scraping, stamping, incising
   sprigging, applying colored slip.
4.  Use glazes as a decorative surface: dipping, pouring, spraying, wax
   resist, sgraffito.
5.  Overglaze with oxides: brushed, spattered, wax resisted, poured.
6.  Examine books and magazines devoted to ceramic art and techniques.
7.  View videos of master potters at work.

Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing.Writing
0 - 0%
None
This is a degree applicable course but assessment tools based on writing are not included because skill demonstrations are more appropriate for this course.
Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills.Problem Solving
0 - 0%
None
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams.Skill Demonstrations
20 - 30%
Class performances
Exams: All forms of formal testing, other than skill performance exams.Exams
0 - 0%
None
Other: Includes any assessment tools that do not logically fit into the above categories.Other Category
75 - 100%
A final exhibit of completed work will be the major basis for course grade Other factors include attendance, effort, artistic growth and participatio


Representative Textbooks and Materials:
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Ceramics, Glen Nelson, 5th ed., Holt Rinehart Winston, New York, Chicago,
San Francisco, 1984.

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