SRJC Course Outlines

4/26/2024 5:18:32 PMTHAR 61.7 Course Outline as of Fall 2010

Inactive Course
CATALOG INFORMATION

Discipline and Nbr:  THAR 61.7Title:  PERFORMANCE HS TOUR  
Full Title:  Performance: High School Tour
Last Reviewed:9/20/2004

UnitsCourse Hours per Week Nbr of WeeksCourse Hours Total
Maximum2.00Lecture Scheduled017.5 max.Lecture Scheduled0
Minimum2.00Lab Scheduled6.0017.5 min.Lab Scheduled105.00
 Contact DHR0 Contact DHR0
 Contact Total6.00 Contact Total105.00
 
 Non-contact DHR0 Non-contact DHR Total0

 Total Out of Class Hours:  0.00Total Student Learning Hours: 105.00 

Title 5 Category:  AA Degree Applicable
Grading:  Grade Only
Repeatability:  34 - 4 Enrollments Total
Also Listed As: 
Formerly: 

Catalog Description:
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Preparation and presentation of a one-hour acting showcase, which tours high schools throughout Sonoma County.  Company members contribute to all aspects of the production, including design and interpretive elements. Comprised of monologues, scenes, and songs showcasing the talents of advanced Theatre Arts acting students, the touring show functions as both an educational and recruitment opportunity.

Prerequisites/Corequisites:


Recommended Preparation:

Limits on Enrollment:
By audition only

Schedule of Classes Information
Description: Untitled document
Preparation and presentation of a one-hour acting showcase, which tours high schools throughout Sonoma County.  Company members contribute to all aspects of the production, including design and interpretive elements.
(Grade Only)

Prerequisites:
Recommended:
Limits on Enrollment:By audition only
Transfer Credit:
Repeatability:34 - 4 Enrollments Total

ARTICULATION, MAJOR, and CERTIFICATION INFORMATION

Associate Degree:Effective:Inactive:
 Area:
 
CSU GE:Transfer Area Effective:Inactive:
 
IGETC:Transfer Area Effective:Inactive:
 
CSU Transfer:Effective:Inactive:
 
UC Transfer:Effective:Inactive:
 
C-ID:

Certificate/Major Applicable: Certificate Applicable Course



COURSE CONTENT

Outcomes and Objectives:
At the conclusion of this course, the student should be able to:
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Upon completion of this course, the student will be able to:
1.  Demonstrate the professional responsibilities of an actor while
   participating in the preparation and performance process of a
   touring production for high school audiences.
2.  Independently analyze and score each script from a character's point
   of view, as well as conduct research in preparation for two or more
   roles from different dramatic texts.
3.  Create and sustain the physical, vocal, and behavioral components of
   two or more characters within the style of each play represented.
   Create distinctly different characterizations, using vocal and
   physical choices, to be performed within the same touring production.
4.  Revise, experiment with, and enhance acting choices as instructed by
   the director during the rehearsal process.
5.  Prioritize and fulfill acting responsibilities, while striving to
   maintain other academic, employment, and personal responsibilities.
6.  Contribute to the design and construction of the technical elements of
   the production, as well as collaborating with director and colleagues
   in the scripting and staging process when appropriate.
7.  Support the thematic structure of a composite performance by
   sustaining energy, focus, and pacing, as well as creatively
   interpreting transitional business.
8.  Work cooperatively within a high stress environment to produce a
   collaborative work of art.
9.  Adapt to the stimulation and input of high school audiences, while
   maintaining focus and concentration.
10. Reproduce successful characterizations in multiple performances
   presented over a period of time, calmly adapting to different
   performance venues and circumstances.
A student repeating this course will be preparing and performing different
monologues, scenes and/or songs drawn from different theatrical scripts
exploring a different related theme.  Repeating students will be :
  - Working with different theatrical styles and genres within a unifying
    theme.
  - Analyzing different dramatic texts, improving analytical skills and
    developing versatility in characterization.
  - Gaining greater confidence as a performer and enhancing acting
    skills by performing for diverse high school audiences.

Topics and Scope
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Depending on the nature and production styles of the selected tour
material to be performed, the following topics will be studied:
I.   Performing for High School Audiences
    A. Developmental issues
    B. Subject matter issues
    C. Audience behavior and responses
    D. Respecting the high school audience member
II.  Showcase Overview
    A. Showcase's theme
    B. Selected scripts, plots and characters
    C. Historic and stylistic contexts for scripts chosen
    D. Special skills and techniques needed
    E. Presentational and representational acting styles
    F. Composite structure, pacing, and transitions
III.  Theatre Professionalism, Communication, and Procedures
    A. Theatre etiquette and protocol
    B. Basic theatre terminology
    C. Location of facilities and resources
    D. Theatrical hierarchy and communication
    E. Touring production framework
       1. Rehearsal structure
       2. Tour schedule and structure
    F. Managing time, health, and personal responsibilities
    G. General safety and emergency procedures
IV.  Staging and Blocking
    A. Blocking procedures and techniques
    B. Collaborative staging
    C. Rehearsal costumes and props
    D. Adaptable staging for changing venues
V.   Vocal Techniques
    A. Articulation
    B. Projection
    C. Characterization
    D. Stylization (verse, rhyme, etc.)
    E. Pronunciation and dialect/accent
VI.  Physical Techniques
    A. Characterization
    B. Movement and timing
    C. Stylization (period movement, etc.)
    D. Special skills (dancing, stage combat, etc.)
VII. Creating The Production
    A. Style and concept
    B. Assigning tasks
    C. Design elements
       1. Costumes and makeup
       2. Sound
       3. Furniture and props
       4. Special items (masks, instruments, etc.)
    D. Organization and communication
    E. Technical and dress rehearsal procedures
VIII.  Planning the Tour
    A. Publicity and contacting schools
    B. Confirming bookings
    C. Maps and instructions
    D. Tour calendar and per-show schedule
    E. Transporting actors and production elements
    F. Load-in, set-up, strike procedures
IX.  Performance Techniques
    A. Personal and group warm-ups
    B. Maintaining consistency and focus
    C. Handling nerves and working calmly under stress
    D. Keeping the audience's attention
    E. Handling audience responses
    F. Handling the unexpected
    G. Conducting an audience "talk-back" session
       1. Answering questions
       2. Selecting students
       3. Staying on schedule
       4. Promoting the program
       5. Handling the unexpected

Assignments:
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1.  Prepare rehearsal material in a timely manner as required by the
   production schedule:
   A. Read the plays from which the student's tour materials have been
      selected.
   B. Independently complete script/character analysis and research work,
      revising as needed during the rehearsal process.
   C. Record, review, and retain blocking.
   D. Accurately memorize lines and cues by the schedule deadline.
   E. Memorize and safely review special skills required by the tour
      material - dialects/accents, stage combat, circus skills, dance,
      music/singing, etc.
2.  Attend all scheduled rehearsals and tour performances.  Communicate
   potential schedule conflicts to director prior to final casting.
   Conflicts communicated after casting may be refused by the director or
   may result in removal from the production.
3. Adhere to the standards of professionalism:
   A. Arrive promptly and prepared for all rehearsals, van load-in calls,
      and performances.
   B. Maintain an amiable and supportive attitude when interacting with
      other members of the touring company.
   C. Respectfully follow the director's instructions in the preparation
      of each role and maintain that direction in performance.
   D. Perform assigned roles in a conscientious and dedicated manner.
   E. Do not alter physical appearance in any manner without permission.
   F. Strive to maintain good personal health and safety practices
      throughout the rehearsal and performance process.
   G. Follow the terms of the course syllabus for the tour.
4. Respond dependably to time commitments outside of rehearsals:
   A. Technical/design construction sessions (see #5 below)
   B. Special out-of-class rehearsals and/or coaching sessions (if
      needed)
5. Contribute to the production process by completing eight to ten
  Production Support Hours working on or more technical, design and/or
  planning aspects of the tour.
6. Participate in all aspects of the rehearsal and performance process,
  including van load-in and van unloading, performance set-ups and
  strikes, and end-of-semester strike.

Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing.Writing
0 - 0%
None
This is a degree applicable course but assessment tools based on writing are not included because skill demonstrations are more appropriate for this course.
Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills.Problem Solving
0 - 0%
None
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams.Skill Demonstrations
70 - 90%
Class performances, Tour performances
Exams: All forms of formal testing, other than skill performance exams.Exams
0 - 0%
None
Other: Includes any assessment tools that do not logically fit into the above categories.Other Category
10 - 30%
Professionalism; Production Hours


Representative Textbooks and Materials:
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Scripts for selected scenes, monologues, and songs.
Instructor prepared materials.

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