12/26/2024 3:26:24 AM |
| Inactive Course |
CATALOG INFORMATION
|
Discipline and Nbr:
DANCE 4 | Title:
MUSIC FOR DANCE |
|
Full Title:
Music for Dance |
Last Reviewed:11/6/2006 |
Units | Course Hours per Week | | Nbr of Weeks | Course Hours Total |
Maximum | 2.00 | Lecture Scheduled | 1.50 | 17.5 max. | Lecture Scheduled | 26.25 |
Minimum | 2.00 | Lab Scheduled | 1.50 | 17 min. | Lab Scheduled | 26.25 |
| Contact DHR | 0 | | Contact DHR | 0 |
| Contact Total | 3.00 | | Contact Total | 52.50 |
|
| Non-contact DHR | 0 | | Non-contact DHR Total | 0 |
| Total Out of Class Hours: 52.50 | Total Student Learning Hours: 105.00 | |
Title 5 Category:
AA Degree Applicable
Grading:
Grade Only
Repeatability:
00 - Two Repeats if Grade was D, F, NC, or NP
Also Listed As:
Formerly:
PE 23
Catalog Description:
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This course focuses on musical skills and principles pertaining to the dancer and related to dance accompaniment including: fundamentals of rhythm, rhythmic notation, percussion score reading and writing, rhythmic devices commonly used in dance, and playing percussion instruments to accompany dance movement.
Prerequisites/Corequisites:
Recommended Preparation:
Course Completion of DANCE 10 ( or PE 22 or PE 145)
Limits on Enrollment:
Schedule of Classes Information
Description:
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This course focuses on musical skills and principles pertaining to the dancer and related to dance accompaniment including: fundamentals of rhythm, rhythmic notation, percussion score reading and writing, rhythmic devices commonly used in dance, and playing percussion instruments to accompany dance movement.
(Grade Only)
Prerequisites:
Recommended:Course Completion of DANCE 10 ( or PE 22 or PE 145)
Limits on Enrollment:
Transfer Credit:
Repeatability:00 - Two Repeats if Grade was D, F, NC, or NP
ARTICULATION, MAJOR, and CERTIFICATION INFORMATION
Associate Degree: | Effective: | | Inactive: | |
Area: | | |
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CSU GE: | Transfer Area | | Effective: | Inactive: |
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IGETC: | Transfer Area | | Effective: | Inactive: |
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CSU Transfer: | | Effective: | | Inactive: | |
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UC Transfer: | | Effective: | | Inactive: | |
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C-ID: |
Certificate/Major Applicable:
Both Certificate and Major Applicable
COURSE CONTENT
Outcomes and Objectives:
At the conclusion of this course, the student should be able to:
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Upon completion of the course the student will be able to:
1. Read and analyze rhythm.
2. Count music in various meters.
3. Notate the rhythms of dance phrases.
4. Recognize and identify various genres of music and relate these genres
to dance.
5. Apply knowledge of rhythm, tempo and dynamics to improvisation,
composition and performance of percussion-based dance accompaniment.
6. Compare and contrast choreographic concepts such as unison and canon to
their musical counterparts.
7. Synthesize musical and choreographic concepts of rhythm and dynamics
into simple percussion scores.
8. Interpret rhythmic structure and dynamics of dance movement in order to
create appropriate percussion accompaniment for it.
9. Play percussion accompaniment for dance movement.
Topics and Scope
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I. Fundamentals of rhythm
Pedagogical Note: Musical concepts of rhythm will be taught through a
combination of lecture and experiential exercises such as: reading of
rhythmic notation, counting, clapping and/or playing of musical samples.
A. Basic rhythmic theory and notation
1. Underlying Beat
2. Meter
3. Note value
4. Counts
5. Tempo
B. Styles of conveying rhythm, such as:
1. Measure and note value (counts)
2. Verbalizing phrases
3. Breath rhythm
C. Analyzing meter and rhythm in given pieces of music and
choreography
D. Notating rhythm
E. Dictation from sound and movement
II. Rhythmic devices used in dance such as mixed meter and syncopation
III. Choreographic devices such as unison and canon (including comparison
to musical counterparts)
IV. Brief overview of various musical genres as they relate to dance such
as:
A. Classical
B. Popular
C. Jazz
D. Ethnic
V. Dynamics
A. Relationship of dynamics and rhythm
B. How to vary intensity in dance movement and percussion-based music
C. Relating dynamics of musical accompaniment to dance dynamics and
vice versa
D. The concepts of phrasing in dance and music
VI. Dance Accompaniment
A. Role of the accompanist in dance classes
B. Playing percussion instruments - basic techniques
C. Improvising on a given rhythmic structure using a variety of
percussion instruments
D. Composing, writing, and performing percussion scores
E. Analysis of choreography and the application of appropriate
accompaniment style for that choreography
VII. Selecting music for a dance study or piece
Assignments:
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1. Read text and/or instructor prepared materials as assigned
2. Reading, counting, clapping and playing rhythmic scores (skill
demonstration graded as class performance and/or through
performance exams)
3. Composing and writing simple percussion scores (problem solving)
4. Analyzing rhythmic structure of a variety of musical and choreographic
samples (problem solving)
5. Playing percussion instruments to accompany dance movement (skill
demonstration graded through class performance and performance exams)
6. 2 or 3 quizzes and a comprehensive final exam
Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing. | Writing 0 - 0% |
None | |
This is a degree applicable course but assessment tools based on writing are not included because problem solving assessments and skill demonstrations are more appropriate for this course. |
|
Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills. | Problem Solving 10 - 20% |
Percussion scores (see Assnmts), rhythmic analysis | |
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams. | Skill Demonstrations 20 - 40% |
Class performances, Performance exams | |
Exams: All forms of formal testing, other than skill performance exams. | Exams 20 - 40% |
Multiple choice, True/false, Completion, Essay | |
Other: Includes any assessment tools that do not logically fit into the above categories. | Other Category 10 - 20% |
Attendance and participation | |
Representative Textbooks and Materials:
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Funes, Donald, J., MUSICAL INVOLVEMENT, 1992
Instructor prepared materials
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