8/16/2024 3:45:46 PM |
| Changed Course |
CATALOG INFORMATION
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Discipline and Nbr:
DANC 11.6 | Title:
BALLET VI |
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Full Title:
Ballet VI |
Last Reviewed:2/28/2022 |
Units | Course Hours per Week | | Nbr of Weeks | Course Hours Total |
Maximum | 1.50 | Lecture Scheduled | .75 | 17.5 max. | Lecture Scheduled | 13.13 |
Minimum | 1.50 | Lab Scheduled | 2.25 | 6 min. | Lab Scheduled | 39.38 |
| Contact DHR | 0 | | Contact DHR | 0 |
| Contact Total | 3.00 | | Contact Total | 52.50 |
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| Non-contact DHR | 0 | | Non-contact DHR Total | 0 |
| Total Out of Class Hours: 26.25 | Total Student Learning Hours: 78.75 | |
Title 5 Category:
AA Degree Applicable
Grading:
Grade or P/NP
Repeatability:
00 - Two Repeats if Grade was D, F, NC, or NP
Also Listed As:
Formerly:
DANCE 11.6
Catalog Description:
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This course, for advanced (Level VI) dancers with prior ballet experience, covers advanced (Level VI) ballet principles and skills in the areas of technique, movement, vocabulary, style, and musicality. The course also includes ballet aesthetics and emphasizes performance skills as they pertain to advanced (Level VI) ballet.
Prerequisites/Corequisites:
Recommended Preparation:
Course Completion of DANCE 11.5
Limits on Enrollment:
By audition
Schedule of Classes Information
Description:
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This course, for advanced (Level VI) dancers with prior ballet experience, covers advanced (Level VI) ballet principles and skills in the areas of technique, movement, vocabulary, style, and musicality. The course also includes ballet aesthetics and emphasizes performance skills as they pertain to advanced (Level VI) ballet.
(Grade or P/NP)
Prerequisites:
Recommended:Course Completion of DANCE 11.5
Limits on Enrollment:By audition
Transfer Credit:CSU;UC.
Repeatability:00 - Two Repeats if Grade was D, F, NC, or NP
ARTICULATION, MAJOR, and CERTIFICATION INFORMATION
Associate Degree: | Effective: | | Inactive: | |
Area: | | |
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CSU GE: | Transfer Area | | Effective: | Inactive: |
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IGETC: | Transfer Area | | Effective: | Inactive: |
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CSU Transfer: | Transferable | Effective: | Spring 2014 | Inactive: | |
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UC Transfer: | Transferable | Effective: | Spring 2014 | Inactive: | |
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C-ID: |
Certificate/Major Applicable:
Major Applicable Course
COURSE CONTENT
Student Learning Outcomes:
At the conclusion of this course, the student should be able to:
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1. Execute and analyze advanced (Level VI) ballet sequences using applicable dance vocabulary.
2. Perform advanced (Level VI) ballet choreography.
3. Choreograph an advanced (Level VI) ballet combination.
Objectives:
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At the conclusion of this course, the student should be able to:
1. Utilize ballet terminology to describe advanced (Level VI) ballet movement vocabulary.
2. Perform advanced (Level VI) ballet warm-ups, techniques, stretching, strengthening exercises, center and across the floor exercises.
3. Explain technical principles incorporated in advanced (Level VI) ballet dance and apply these principles to the execution of advanced (Level VI) ballet movement.
4. Perform advanced (Level VI) enchainments (chains of steps).
5. Display performance skills in presentations of advanced (Level VI) ballet class choreography.
6. Identify basic rhythmic concepts incorporated in advanced (Level VI) ballet and relate them to the execution of ballet movement.
7. Count advanced (Level VI) ballet movement sequences.
8. Critique a ballet performance or a ballet piece applying basic ballet aesthetics and advanced (Level VI) ballet principles.
Topics and Scope
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I. Ballet terminology and corresponding ballet movement vocabulary
II. Level VI ballet technique
A Technical principles
1. Alignment
2. Turn-out
3. Use of plie
4. Releve
5. Extension
B. Directions of Movement
1. Devant
2. Derriere
3. En avant
4. En arriere
5. En dedans
6. En dehors
C Eight Body positions
1. Croise derriere
2. Croise devant
3. En face
4. Efface derriere
5. Efface devant
6. A la seconde
7. Ecaret derriere
8. Ecarte devant
D. Positions and movements of the arms (port de bras)
E. Positions and movements of the feet and legs
F. Turns
G. Jumps
H. Adagio
I. Petite allegro
J. Grand allegro
K. Reverence
III. Level VI enchainments
IV. Supplementary strengthening and stretching
V. Ballet movement qualities
VI. Performance skills
A. Projection
B. Dynamics
C. Style and facial expression
D. Musicality
E. Creating the illusion of effortlessness
VII. Rhythmic principles for Level VI ballet
VIII.Counting Level VI ballet movement
IX. Level VI ballet movement execution
A. Verbal descriptions
1. Ballet terminology
2. Use of imagery
3. Biomechanics
B. Demonstration of movement
C. Tactile information
D. Kinesthetic awareness enhancing tools or methods
E. Corrections
F. Critical analysis of performed movement
X. Critiquing ballet choreography - what to look for in a ballet work
Assignments:
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Writing Assignments
1. Journaling: vocabulary, facings and history.
2. Written critique of a dance piece or performance. (2 - 3 pages)
3. Reading of handouts and/or selected readings (5-10 pages per week)
Skill Demonstration
1. Ballet technique class activities assessed in terms of overall improvement (class performances).
2. 1 to 3 performance demonstrations (performance of enchainments).
Exams
1. Midterm and final vocabulary exam.
2. Midterm and final history exam.
Attendance and Participation
1. Perform exercises to strengthen and/or stretch muscle groups required to execute ballet movements.
2. Learn sequences of ballet barre exercises.
3. Partner activities focusing on ballet techniques
4. Weekly practice of ballet skills and/or choreography covered in class sessions (ungraded).
5. Ballet video viewing and analysis.
Methods of Evaluation/Basis of Grade.
Writing: Assessment tools that demonstrate writing skill and/or require students to select, organize and explain ideas in writing. | Writing 5 - 11% |
Critique, Note Taking | |
Problem solving: Assessment tools, other than exams, that demonstrate competence in computational or non-computational problem solving skills. | Problem Solving 0 - 0% |
None | |
Skill Demonstrations: All skill-based and physical demonstrations used for assessment purposes including skill performance exams. | Skill Demonstrations 40 - 60% |
Class performances, performance exams | |
Exams: All forms of formal testing, other than skill performance exams. | Exams 5 - 11% |
Quizzes or Exams | |
Other: Includes any assessment tools that do not logically fit into the above categories. | Other Category 20 - 40% |
Attendance and participation, video viewing and analysis, partner activities, rehearsal | |
Representative Textbooks and Materials:
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The Ballet Companion: A Dancer's Guide to the Techniques, Traditions, and Joys of Ballet (1st). Minden, Eliza Gaynor. Simon & Schuster: 2005 (classic).
Instructor prepared materials
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